Wow, Drake has an entire label with not a single female artist. This whole song feels like it should have Rihanna on it-I would have rather had her on More Life than the Future album. Jorja Smith is the singer-that answers my question from track four-I wonder if she's the first lady of OVO? She gives me singing Rihanna vibes. I can’t get over how engrossing this beat is. One day we will talk about Drake’s ear for production, I don’t think he gets enough credit but when you got a guy like 40 in the tent making magic, it’s hard not to pick the best. It was a sudden switch but this has a mean rhythm. I don’t know if Jorja is the woman singing or a woman the song is based off but this is enjoyable. When Drake raps like this it’s so light, almost like tiptoeing across a beat. This is way more of a rap album playlist than I expected. Smooth, I like the sample playing in the background. Drake is back to complaining about people, he really does hate fake people like Meek Mill hates whispering. I like this a lot.Īnytime Drake has an interlude named after a woman it’s an instant classic. The mood is very still, a woman’s voice, but I couldn’t make out what she said. No vocals, a little thumping drum with light keys.
He could play it for the next 10 hours or even the next 10 years and I wouldn’t complain. Drake sounds like himself, he isn’t trying to leave his vocal comfort zone, the kind of smooth vibe that can take over radio and you’ll hate yourself for loving it. This is a more mature “One Dance,” a little more R&B than Afrobeat. I’m seeing tailored suits and gowns, the kind of grown-up anthem that you hit a mean two-step to.
Singing Drake is coming with the Yes Julz vibes. I like the light keys, takes me back to being on a cruise ship and viewing the sunset. Third song is called “PassionFruit” and this is the most Drake-esque title we’ve seen since “Hold On, We’re Going Home.” Tropical vibes, a complete switch up from the opening trap-driven, rap records. Damn you Beats 1 with the censored lyrics, curse words are just words dammit! "No Long Talk" isn't a bad song, and while it doesn’t demand my attention or a replay, I like what Drake offered. Giggs sounds like the kind of rapper that might shank you if you get his order wrong at the drive-in. There are two sides to Drake, no Frank Ocean. Two songs in and this is more rap driven than Views, it’s almost the complete opposite. This is a cool flow, his voice is kinda annoying, but the aggression is there. I've never heard his music but I hear he has more than one feature. Second song called “No Long Talk.” Wonder if he heard Bino’s “No Small Talk”-that would be a wild plot twist. Feels like he decided to bring the chopper with him in the intro, this isn’t the singing Drake, but Drake the troublemaker. Jay and Meek references in the first song, LET'S GO. He just mentioned the Jay Z advice, I really like this. This is the Drake I like, think about his verse on “Big Amount.” This is the kind of rapping I wanted on Views. Feels rather Atlanta, bragging about drunk texting J.
Don’t know what free smoke is, must be hookah. And it switched to a beat, hard-hitting, trap drums thumping with the kind of rhythm that will make Uzi Vert shoulders shimmy. She’s playing the piano, Alicia Keys vibes. More Life to all our readers, More Life to all the rappers. Each song will receive my gut reaction from start to finish. In usual 1-Listen fashion, the rules are the same: no skipping, no fast-forwarding, no rewinding and no stopping. I’m not going into this listening experience looking for a classic album, but I would be happy to get some classic Drake. Sacrifices (feat.Regardless if the “playlist” is good or bad, Drake will once again take over social media and rule the music world for days, weeks, and probably several months heading into summer. The album peaked on the US Billboard Hot 100 at number nine.Ġ5. The single features guest appearances by American rappers Quavo and Travis Scott, while Murda Beatz, with co-production by Cubeatz, handled the production. On May 16, 2017, the mixtape's fourth single, 'Portland', was released on rhythmic contemporary radio. The album peaked on the US Billboard Hot 100 at number eight. Vinylz and Frank Dukes recorded the album. The lead single from the mixtape, "Fake Love", was released on Octofor digital download.
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